Toru Takemitsu, Masao Tanibe's 'All in Twilight −Four pieces for guitar−: IV. Slightly Fast' came out on November 7, 2022. The duration of All in Twilight −Four pieces for guitar−: IV. Slightly Fast is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. All in Twilight −Four pieces for guitar−: IV. Slightly Fast's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Toru Takemitsu: Guitar Works". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Japan. In terms of popularity, All in Twilight −Four pieces for guitar−: IV. Slightly Fast is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With All in Twilight −Four pieces for guitar−: IV. Slightly Fast by Toru Takemitsu, Masao Tanibe having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile | György Ligeti, Miklós Perényi | G Major | 0 | 9B | 69 BPM | ||
Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | D Minor | 0 | 7A | 101 BPM | ||
Chanson de Ronsard, H. 54 (Arr. for Flute & Piano) | Arthur Honegger, Junko Teramoto, Kozue Takagi | F Major | 0 | 7B | 71 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
Phrygian Gates, Pt. 2 (A System of Weights and Measures) | John Adams | D Major | 0 | 10B | 55 BPM | ||
Melody | Joseph Moiseyevich Schillinger, Lydia Kavina, Joshua Pierce | B♭ Minor | 1 | 3A | 0 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
Siren: Lilacs, Op. 21, No. 5 | Sergei Rachmaninoff | A♭ Major | 0 | 4B | 67 BPM | ||
Chorale Prelude BWV 639, “Ich ruf zu dir, Herr” | Johann Sebastian Bach, Tatiana Nikolayeva | G Minor | 0 | 6A | 73 BPM |
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