"Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile" by György Ligeti, Miklós Perényi was released on January 27, 2012. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 17 in Britten / Bach / Ligeti by Miklós Perényi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile by György Ligeti, Miklós Perényi is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes, Book 1: No. 5, Arc-en-ciel | György Ligeti, Khatia Buniatishvili | A Major | 0 | 11B | 130 BPM | ||
Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | F♯ Minor | 0 | 11A | 97 BPM | ||
Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
Préludes / Book 1, L.117: 6. Des pas sur la neige | Claude Debussy, Pierre-Laurent Aimard | F Major | 0 | 7B | 132 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Six Encores: Erdenklavier | Luciano Berio, Andrea Lucchesini | C Minor | 0 | 5A | 175 BPM | ||
Symphony No. 3: Andante con noto | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 0 | 8B | 110 BPM | ||
Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM |
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