Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen
Carl Loewe, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper
Loewe: Das Sühnopfer des neuen Bundes
2:22 March 8, 2019
BPM
130
Key
E Minor
Camelot
9A

Embed

Share Link

Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen - Carl Loewe, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper Information

Acousticness
96%
Danceability
24%
Energy
10%
Instrumentalness
0%
Liveness
11%
Loudness
57%
Speechiness
4%
Valence
7%
Popularity
Loudness
-25.703 dB

Summary

"Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen" by Carl Loewe, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper was released on March 8, 2019. The duration of Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 5 out of 46. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen BPM

We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen by Carl Loewe, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
4 Songs, Op. 47: No. 2, Kuin hiipuva hiillos tummentuu by Oskar Merikanto, Waltteri Torikka, Marko Hilpo4 Songs, Op. 47: No. 2, Kuin hiipuva hiillos tummentuuOskar Merikanto, Waltteri Torikka, Marko HilpoE Major012B86 BPM
Scylla et Glaucus, Op. 11: Prologue. Pour vous dont je reçois et l'encens et les vœux by Jean-Marie Leclair, d’Albaret, Hasnaa Bennani, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiScylla et Glaucus, Op. 11: Prologue. Pour vous dont je reçois et l'encens et les vœuxJean-Marie Leclair, d’Albaret, Hasnaa Bennani, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiD♭ Major23B93 BPM
Te Deum, H. 146: V. Tu de victo mortis aculeo by Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David WitczakTe Deum, H. 146: V. Tu de victo mortis aculeoMarc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David WitczakB♭ Major46B106 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso by Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'AmoreGluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. GraziosoChristoph Willibald Gluck, Stefan Plewniak, Il Giardino d'AmoreD♭ Major33B129 BPM
Markuspassion: No. 1, Chorus. Geh, JEsu, geh zu deiner Pein! by Nikolaus Matthes, Ensemble Gli AspettiMarkuspassion: No. 1, Chorus. Geh, JEsu, geh zu deiner Pein!Nikolaus Matthes, Ensemble Gli AspettiD♭ Minor012A90 BPM
Biber: Requiem a 15 in A Major: I. Introitus by Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque OrchestraBiber: Requiem a 15 in A Major: I. IntroitusHeinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque OrchestraB♭ Major16B138 BPM
Gloria, ZWV 30: V. Qui sedes by Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav LuksGloria, ZWV 30: V. Qui sedesJan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav LuksE Major112B84 BPM
Moniuszko: Prząśniczka by Stanisław Moniuszko, Aleksander Debicz, Jakub Józef OrlińskiMoniuszko: PrząśniczkaStanisław Moniuszko, Aleksander Debicz, Jakub Józef OrlińskiC Minor15A73 BPM
Crash by Aiden SpencerCrashAiden SpencerD♭ Major13B130 BPM
Requiem aeternam: Rex tremendae by Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd SchallerRequiem aeternam: Rex tremendaeFranz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd SchallerA Major111B86 BPM
ISRC
DEU921909632
Label
L-M Records/RCA Records

Section: 0.7279465198516846

End: 0.7430262565612793