"Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen" by Carl Loewe, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper was released on March 8, 2019. The duration of Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 5 out of 46. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 3: No. 32, Den wir jüngst auf Tabors Höhen by Carl Loewe, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Songs, Op. 47: No. 2, Kuin hiipuva hiillos tummentuu | Oskar Merikanto, Waltteri Torikka, Marko Hilpo | E Major | 0 | 12B | 86 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Pour vous dont je reçois et l'encens et les vœux | Jean-Marie Leclair, d’Albaret, Hasnaa Bennani, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D♭ Major | 2 | 3B | 93 BPM | ||
Te Deum, H. 146: V. Tu de victo mortis aculeo | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak | B♭ Major | 4 | 6B | 106 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Markuspassion: No. 1, Chorus. Geh, JEsu, geh zu deiner Pein! | Nikolaus Matthes, Ensemble Gli Aspetti | D♭ Minor | 0 | 12A | 90 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Moniuszko: Prząśniczka | Stanisław Moniuszko, Aleksander Debicz, Jakub Józef Orliński | C Minor | 1 | 5A | 73 BPM | ||
Crash | Aiden Spencer | D♭ Major | 1 | 3B | 130 BPM | ||
Requiem aeternam: Rex tremendae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | A Major | 1 | 11B | 86 BPM |
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