Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak made "Te Deum, H. 146: V. Tu de victo mortis aculeo" available on January 5, 2024. With Te Deum, H. 146: V. Tu de victo mortis aculeo being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 28 in Charpentier & Desmarest: Te Deum by Ensemble les Surprises, Louis-Noël Bestion de Camboulas. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Te Deum, H. 146: V. Tu de victo mortis aculeo is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Te Deum, H. 146: V. Tu de victo mortis aculeo by Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Laudate pueri, HWV 237: VI. Suscitans a terra | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Motetto de S. Joanne Baptista: I. Coro. Audite insulæ | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | A Major | 1 | 11B | 89 BPM | ||
Messe de Minuit, H. 9: Gloria | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Randol Rodriguez, Etienne Bazola, Marie-Frédérique Girod, Caroline Weynants | C Major | 2 | 8B | 94 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | C Major | 4 | 8B | 88 BPM | ||
Nisi Dominus, RV 608: VIII. Sicut erat in principio | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM |
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