Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Bavarian Radio Symphony Orchestra, Leonard Bernstein's 'Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Gloria: Domine Deus - Live' came out on January 1, 1991. The duration of Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Gloria: Domine Deus - Live is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Gloria: Domine Deus - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Frank Lopardo, Cornelius Hauptmann, Friedemann Winklhofer, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Seeliger, Leonard Bernstein's "Mozart: Great Mass in C minor K.427" album is number 7 out of 15. In terms of popularity, Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Gloria: Domine Deus - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Gloria: Domine Deus - Live by Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Bavarian Radio Symphony Orchestra, Leonard Bernstein to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vesperae solennes de confessore in C, K.339: 3. Beatus vir qui timet Dominum (PS. 111/112) | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | B Minor | 2 | 10A | 127 BPM | ||
Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei | Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus | E Minor | 0 | 9A | 139 BPM | ||
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D Major | 3 | 10B | 126 BPM | ||
Requiem In D Minor, K. 626: Kyrie Eleison | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 82 BPM | ||
Missa Brevis In C Major Kv 220, Spatzenmesse: Benedictus | Nicol Matt, Reinhard Geller, Daniel Sans, Christof Fischesser, Barbara Werner, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Jens Wollenschläger, Wolfgang Amadeus Mozart, Petra Labitzke | G Major | 1 | 9B | 87 BPM | ||
CBS Music: I. Fanfare & Titles (Arr. S. Ramin for Orchestra) | Leonard Bernstein, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | B♭ Major | 2 | 6B | 83 BPM | ||
Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio | Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 76 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM |
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