Requiem In D Minor, K. 626: Kyrie Eleison
Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart
Mozart: Requiem In D Minor
2:44 April 15, 1989
BPM
82
Key
F Major
Camelot
7B

Embed

Share Link

Requiem In D Minor, K. 626: Kyrie Eleison - Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart Information

Acousticness
98%
Danceability
33%
Energy
21%
Instrumentalness
85%
Liveness
17%
Loudness
67%
Speechiness
3%
Valence
61%
Popularity
Loudness
-19.916 dB

Summary

Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart made "Requiem In D Minor, K. 626: Kyrie Eleison" available on April 15, 1989. The duration of Requiem In D Minor, K. 626: Kyrie Eleison is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Requiem In D Minor, K. 626: Kyrie Eleison's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 2 out of 14. Requiem In D Minor, K. 626: Kyrie Eleison is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Requiem In D Minor, K. 626: Kyrie Eleison BPM

We consider the tempo marking of Requiem In D Minor, K. 626: Kyrie Eleison by Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Requiem In D Minor, K. 626: Kyrie Eleison Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Requiem in D Minor, K. 626: 5. Sanctus - Live by Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay JohannsenRequiem in D Minor, K. 626: 5. Sanctus - LiveWolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay JohannsenD Major410B90 BPM
Requiem in D minor, K.626: 3. Sequentia: Dies irae by Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerRequiem in D minor, K.626: 3. Sequentia: Dies iraeWolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerG Minor46A162 BPM
Viola Concerto in G Major, TWV 51:G9: I. Largo by Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard EdlingerViola Concerto in G Major, TWV 51:G9: I. LargoGeorg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard EdlingerG Major19B144 BPM
Abdelazar Suite, Z. 570: II. Rondeau by Henry Purcell, Camerata Nordica, Terje TonnesenAbdelazar Suite, Z. 570: II. RondeauHenry Purcell, Camerata Nordica, Terje TonnesenA Major011B84 BPM
Mass in B Minor, BWV 232 Mass in B Minor, BWV 232 "Hohe Messe": No. 4 Chorus: Et incarnatus estJohann Sebastian Bach, Carlo Maria Giulini, Bavarian Radio Symphony OrchestraB Minor010A75 BPM
Te Deum in C Major, WAB 45: 5. In te domine speravi by Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz RögnerTe Deum in C Major, WAB 45: 5. In te domine speraviAnton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz RögnerC Major18B79 BPM
Piano Sonata No. 17 in D Minor, Op. 31, No. 2, Piano Sonata No. 17 in D Minor, Op. 31, No. 2, "Tempest": III. AllegrettoLudwig van Beethoven, Jenő JandóG Minor16A123 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro by Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : II. AllegroArcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella IstropolitanaA Major311B131 BPM
Mozart: Ave verum corpus, K. 618 by Wolfgang Amadeus Mozart, Kölner Kammerchor/Collegium Cartusianum/Peter Neumann, Christoph Prégardien, Diana Montague, Franz-Josef Selig, Kölner Kammerchor, Michael Chance, Peter Neumann, Collegium CartusianumMozart: Ave verum corpus, K. 618Wolfgang Amadeus Mozart, Kölner Kammerchor/Collegium Cartusianum/Peter Neumann, Christoph Prégardien, Diana Montague, Franz-Josef Selig, Kölner Kammerchor, Michael Chance, Peter Neumann, Collegium CartusianumD Major110B78 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: II. Un BalHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major111B113 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.1530461311340332

End: 1.1565420627593994