"Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio" by Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein was released on 1957. Since Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Glenn Gould, George Frideric Handel, Glenn Gould, Paul Hindemith, Glenn Gould, Richard Strauss, Glenn Gould, Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: Piano Concertos Nos. 1 - 5 BWV 1052-1056 & No. 7 BWV 1058" album is number 2 out of 18. Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio by Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in D Major, BWV 1054: III. Allegro | Johann Sebastian Bach, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra | D Major | 4 | 10B | 179 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 2 in A Minor, Op. 19, No. 2 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Piano Quartet in E Flat Major, Op.47: Piano Quartet in E Flat Major, Op.47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione II: Tempo del Tema | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 168 BPM | ||
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 5. Finale (Allegro giusto) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | D Major | 1 | 10B | 81 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.3 Paysage (Poco adagio) | Franz Liszt, Daniil Trifonov | F Major | 0 | 7B | 67 BPM |
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