Felix Mendelssohn, Péter Nagy's 'Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 2 in A Minor, Op. 19, No. 2' came out on March 24, 1991. The duration of Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 2 in A Minor, Op. 19, No. 2 is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 2 in A Minor, Op. 19, No. 2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Péter Nagy's "Mendelssohn: Songs Without Words, Vol. 2" album is number 3 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 2 in A Minor, Op. 19, No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 2 in A Minor, Op. 19, No. 2 by Felix Mendelssohn, Péter Nagy to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Gnossiennes: No. 6 | Erik Satie, Pascal Rogé | B♭ Major | 0 | 6B | 66 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.4 in E minor: Fugue | Dmitri Shostakovich, Vladimir Ashkenazy | E Minor | 1 | 9A | 119 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM |
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