Umberto Giordano, Giorgio Tadeo, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly made "Andrea Chénier / Act 2: Per l'ex inferno!" available on January 1, 1984. With Andrea Chénier / Act 2: Per l'ex inferno! being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly's "Giordano: Andrea Chénier" album is number 8 out of 30. In terms of popularity, Andrea Chénier / Act 2: Per l'ex inferno! is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Andrea Chénier / Act 2: Per l'ex inferno! by Umberto Giordano, Giorgio Tadeo, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Mascagni: Cavalleria rusticana: No. 6, Romanza e Scena, "Voi lo sapete, o mamma" (Santuzza, Lucia) | Pietro Mascagni, Montserrat Caballé, Riccardo Muti, Philharmonia Orchestra | E Major | 1 | 12B | 80 BPM | ||
La Fanciulla del West / Act 1: Laggiù nel Soledad | Giacomo Puccini, Carol Neblett, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | F Major | 4 | 7B | 143 BPM | ||
La Cenerentola / Act 2: "Scusate, amici" | Gioachino Rossini, Alessandro Corbelli, Enzo Dara, William Matteuzzi, Fernanda Costa, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
La Sonnambula / Act 1: Viva! viva! viva! viva! Amina! | Vincenzo Bellini, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 86 BPM | ||
Requiem | Giacomo Puccini, Coro Sinfonico di Milano Giuseppe Verdi, Gabriele Mugnai, Roberto de Thierry, Riccardo Chailly | D Minor | 0 | 7A | 71 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Tosca / Act 2: "Orsù, Tosca, parlate." - "Mario, consenti ch'io parli?" | Giacomo Puccini, Montserrat Caballé, José Carreras, Ingvar Wixell, Piero de Palma, William Elvin, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Minor | 3 | 6A | 88 BPM | ||
La Cenerentola / Act 1: "Miei rampolli femminini" | Gioachino Rossini, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
Symphony No.2 in D, Op.73: 2. Adagio non troppo - L'istesso tempo, ma grazioso | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | B Major | 1 | 1B | 117 BPM |
Section: 0.8115789890289307
End: 0.8181843757629395