"Mascagni: Cavalleria rusticana: No. 6, Romanza e Scena, "Voi lo sapete, o mamma" (Santuzza, Lucia)" by Pietro Mascagni, Montserrat Caballé, Riccardo Muti, Philharmonia Orchestra was released on 1979. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 10 out of 44. Mascagni: Cavalleria rusticana: No. 6, Romanza e Scena, "Voi lo sapete, o mamma" (Santuzza, Lucia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mascagni: Cavalleria rusticana: No. 6, Romanza e Scena, "Voi lo sapete, o mamma" (Santuzza, Lucia) by Pietro Mascagni, Montserrat Caballé, Riccardo Muti, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Aida, Act 2: "Chi mai fra gl'inni e i plausi" (Schiave, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Minor | 1 | 6A | 88 BPM | ||
Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato | Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra | A Major | 3 | 11B | 98 BPM | ||
Rusalka, Op. 114: Song to the Moon | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | F♯ Major | 1 | 2B | 106 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
Pagliacci / Act 1: "Son qua! Ritornano" | Ruggero Leoncavallo, Luciano Pavarotti, Vincenzo Bello, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | F♯ Major | 3 | 2B | 81 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
Pagliacci / Act 1: "Son qua! Ritornano" | Ruggero Leoncavallo, Westminster Symphonic Choir, Philadelphia Boys Choir, Luciano Pavarotti, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti | E♭ Major | 4 | 5B | 122 BPM | ||
Roméo et Juliette / Act 1: "Ah, je veux vivre" | Charles Gounod, Montserrat Caballé, New Philharmonia Orchestra, Reynald Giovaninetti | D Major | 0 | 10B | 98 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Verdi: Aida, Act 1: Nume custode e vindice (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E♭ Major | 2 | 5B | 71 BPM |
Section: 0.7290503978729248
End: 0.7329061031341553