Ruggero Leoncavallo, Westminster Symphonic Choir, Philadelphia Boys Choir, Luciano Pavarotti, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti's 'Pagliacci / Act 1: "Son qua! Ritornano"' came out on January 1, 1993. The duration of Pagliacci / Act 1: "Son qua! Ritornano" is about 3 minutes long, at 3:03. Based on our data, "Pagliacci / Act 1: "Son qua! Ritornano"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ruggero Leoncavallo, Luciano Pavarotti, Daniela Dessi, Juan Pons, Paolo Coni, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti's "Leoncavallo: I Pagliacci" album is number 3 out of 25. Based on our statistics, Pagliacci / Act 1: "Son qua! Ritornano"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 1: "Son qua! Ritornano" by Ruggero Leoncavallo, Westminster Symphonic Choir, Philadelphia Boys Choir, Luciano Pavarotti, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Verdi: Messa da Requiem: XIII. Hostias | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act I Scene 8: Aria: Gia d'insolito ardore nel petto (Mustafa) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | D Minor | 0 | 7A | 106 BPM | ||
Manon Lescaut: "Donna non vidi mai" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | B♭ Major | 2 | 6B | 83 BPM | ||
Wagner: Lohengrin, Act 3: "Mein lieber Schwan...Leb wohl! (Lohengrin, Henry, Ortrud, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Peter Seiffert, René Pape, Staatskapelle Berlin | D Major | 1 | 10B | 73 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air | Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 82 BPM | ||
Carmen / Act 3: Choeur: "A dos cuartos!" | Georges Bizet, Anne-Marie Tostain, Michel Marinpouille, Alain Pilard, Alexander Malta, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | F Minor | 4 | 4A | 103 BPM | ||
Mascagni: L'amico Fritz, Act 3 Scene 3: "O amore, o bella luce del core" (Fritz) | Pietro Mascagni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 93 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM |
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