- BPM
- 86
- Key
- F Major
- Camelot
- 7B
La Sonnambula / Act 1: Viva! viva! viva! viva! Amina! - Vincenzo Bellini, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge Information
- Acousticness
- 97%
- Danceability
- 27%
- Energy
- 22%
- Instrumentalness
- 6%
- Liveness
- 47%
- Loudness
- 78%
- Speechiness
- 4%
- Valence
- 31%
- Popularity
- 15%
- Loudness
- -13.31 dB
Summary
Vincenzo Bellini, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge's 'La Sonnambula / Act 1: Viva! viva! viva! viva! Amina!' came out on January 1, 1982. The duration of La Sonnambula / Act 1: Viva! viva! viva! viva! Amina! is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. La Sonnambula / Act 1: Viva! viva! viva! viva! Amina!'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 33 in Bellini: La Sonnambula by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Nicolai Ghiaurov, National Philharmonic Orchestra, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. La Sonnambula / Act 1: Viva! viva! viva! viva! Amina! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Sonnambula / Act 1: Viva! viva! viva! viva! Amina! BPM
The tempo marking of La Sonnambula / Act 1: Viva! viva! viva! viva! Amina! by Vincenzo Bellini, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
La Sonnambula / Act 1: Viva! viva! viva! viva! Amina! Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | The Car Lot | Bernard Herrmann, National Philharmonic Orchestra | F♯ Major | 0 | 2B | 168 BPM | |
 | Il Pirata, Act I: Più temuto | Vincenzo Bellini, Felice Romani, Franco Vassallo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | |
 | Rusalka, Op. 114 / Act 1: Stalerá moudrost tvá vsechno vi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | |
 | Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM |
- ISRC
- GBF077940801
- Label
- L-M Records/RCA Records
Section: 0.6860096454620361
End: 0.6905498504638672