Gioachino Rossini, Alessandro Corbelli, Enzo Dara, William Matteuzzi, Fernanda Costa, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly made "La Cenerentola / Act 2: "Scusate, amici"" available on January 1, 1993. With La Cenerentola / Act 2: "Scusate, amici" being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Cenerentola / Act 2: "Scusate, amici"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Cenerentola / Act 2: "Scusate, amici" by Gioachino Rossini, Alessandro Corbelli, Enzo Dara, William Matteuzzi, Fernanda Costa, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K.588 / Act 1: "Oh, la saria da ridere!" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Mojca Erdmann, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Minor | 1 | 9A | 85 BPM | ||
Falstaff / Act II: Quand'ero paggio del Duca di Norfolk | Giuseppe Verdi, Bryn Terfel, Adrianne Pieczonka, Larissa Diadkova, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Scena di Berenice, Hob. XXIVa:10: Recitativo "Berenice, che fai?" | Franz Joseph Haydn, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | C Major | 1 | 8B | 82 BPM | ||
L'elisir d'amore / Act I: "Lallarallara" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 90 BPM | ||
Puccini: La rondine, Act 3: "No! Non m’inganno! … Laggiù c’è un uomo" (Lisette, Prunier, Maggiordomo, Magda) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Il Turco in Italia / Act 2: "Se Fiorilla di vender bramate" | Gioachino Rossini, Michele Pertusi, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | B Minor | 0 | 10A | 73 BPM | ||
Le Comte Ory / Act 1: "Ciel! - O terreur, ô peine extrê" | Gioachino Rossini, Stefania Bonfadelli, Marie-Ange Todorovitch, Rosella Bevacqua, Marina de Liso, Juan Diego Flórez, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Così fan tutte, K. 588 / Act I: "Non son cattivo comico" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 1 | 8B | 74 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Margherita Guglielmi, Laura Zannini, Teresa Berganza, Ugo Trama, London Symphony Orchestra, Claudio Abbado, Scottish Opera Chorus, Arthur Oldham | F Major | 2 | 7B | 86 BPM | ||
Il Trovatore / Act 4: "Prima che d'altri vivere" | Giuseppe Verdi, Joan Sutherland, Luciano Pavarotti, Ingvar Wixell, Marilyn Horne, National Philharmonic Orchestra, Richard Bonynge | B♭ Minor | 4 | 3A | 90 BPM |
Section: 0.6780691146850586
End: 0.6815450191497803