"Gott der Herr ist Sonn und Schild, BWV 79: VI. Aria "Gott, ach Gott, verlass die Deinen nimmermehr!"" by Johann Sebastian Bach, Choir of Clare College, Cambridge, Graham Ross, Clare Baroque, Margaret Faultless, Mary Bevan, Neal Davies was released on August 25, 2017. The duration of Gott der Herr ist Sonn und Schild, BWV 79: VI. Aria "Gott, ach Gott, verlass die Deinen nimmermehr!" is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Gott der Herr ist Sonn und Schild, BWV 79: VI. Aria "Gott, ach Gott, verlass die Deinen nimmermehr!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Reformation 1517-2017". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. The popularity of Gott der Herr ist Sonn und Schild, BWV 79: VI. Aria "Gott, ach Gott, verlass die Deinen nimmermehr!" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gott der Herr ist Sonn und Schild, BWV 79: VI. Aria "Gott, ach Gott, verlass die Deinen nimmermehr!" by Johann Sebastian Bach, Choir of Clare College, Cambridge, Graham Ross, Clare Baroque, Margaret Faultless, Mary Bevan, Neal Davies having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Keyboard Sonata in B-Flat Major, K.266/L.48/P.251: Andante | Domenico Scarlatti, Benjamin Frith | B♭ Major | 0 | 6B | 151 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM |
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