Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris made "Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro" available on January 1, 1981. Since Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 9 in Bach: Les Concertos pour 3 et 4 pianos by Johann Sebastian Bach, Michel Béroff, Jean-Philippe Collard, Gabriel Tacchino, Bruno Rigutto, Orchestre de chambre de Paris, Jean-Pierre Wallez. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro by Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré / Transc. Büsser: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | F Minor | 1 | 4A | 83 BPM | ||
6 Moments musicaux, Op.94 D.780: No.3 in F minor (Allegro moderato) | Franz Schubert, Alfred Brendel | A♭ Major | 0 | 4B | 87 BPM | ||
Psalm 42, Op. 42, MWV A15: Schlusschor "Was betrübst du dich" | Felix Mendelssohn, La Chapelle Royale, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe | F Major | 2 | 7B | 106 BPM | ||
Violin Concerto in D Minor, D.45: 2. Grave | Giuseppe Tartini, Jean-Pierre Wallez, Ensemble instrumental de France | A Major | 3 | 11B | 127 BPM | ||
L'Allegro, il Penseroso ed il Moderato (pastoral ode), III. Il Moderato: 39. Duet: As steals the morn upon the night | George Frideric Handel, Christine Brandes, Lynne Dawson, David Daniels, Ian Bostridge, Alastair Miles, Orchestre de chambre de Paris, John Nelson, The Bach Choir | B♭ Major | 1 | 6B | 96 BPM | ||
Oboe Concerto In E-Flat Major: 2. Allegro | Giovanni Alberto Ristori, Albrecht Mayer, Luca Pianca, Andrea Zucco, I musici di Roma | E♭ Major | 2 | 5B | 94 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): II. Allegro ma non tanto | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A Major | 1 | 11B | 140 BPM | ||
Piano Trio in E-Flat Major, D. 929: II. Andante con moto | Franz Schubert, Jean-Philippe Collard | D Major | 2 | 10B | 179 BPM | ||
Fauré: Barcarolle No. 3 in G-Flat Major, Op. 42 | Gabriel Fauré, Jean-Philippe Collard | E♭ Major | 1 | 5B | 117 BPM | ||
Trois morceaux en forme de poire: Redite | Erik Satie, Pascal Rogé, Jean-Philippe Collard | C Major | 1 | 8B | 114 BPM |
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