Gustav Mahler, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin's 'Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Waldung, sie schwankt heran"' came out on January 1, 2007. With this song being about 5 minutes long, at 5:08, "Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Waldung, sie schwankt heran"" by Gustav Mahler, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gustav Mahler, Staatskapelle Berlin, Pierre Boulez's "Mahler: Symphony No. 8" album is number 3 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Waldung, sie schwankt heran" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Waldung, sie schwankt heran" by Gustav Mahler, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | D♭ Minor | 1 | 12A | 86 BPM | ||
String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 174 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Das Lied von der Erde: Das Trinklied vom Jammer der Erde | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 2 | 6A | 78 BPM |
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