"Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1]" by Gustav Mahler, Wiener Philharmoniker, Pierre Boulez was released on January 1, 1997. Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Wiener Philharmoniker, Pierre Boulez's "Mahler: Symphony No.5" album is number 1 out of 5. Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] by Gustav Mahler, Wiener Philharmoniker, Pierre Boulez to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Main Title - From "Star Wars: A New Hope" | John Williams, Wiener Philharmoniker | C Major | 4 | 8B | 94 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Sonnenaufgang | Richard Strauss, Wiener Philharmoniker, Christian Thielemann | A Major | 4 | 11B | 98 BPM | ||
Une barque sur l'océan: Très souple de rythme | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | A Major | 0 | 11B | 79 BPM | ||
24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM | ||
Nocturnes, L.91: I. Nuages | Claude Debussy, Cleveland Orchestra, Pierre Boulez | C Major | 0 | 8B | 90 BPM | ||
Carmen: Overture | Georges Bizet, Herbert von Karajan, Wiener Philharmoniker | D Minor | 4 | 7A | 126 BPM | ||
Mahler: Piano Quartet in A Minor | Gustav Mahler, Borodin Quartet, Ludmila Berlinskaya | D Minor | 1 | 7A | 103 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM |
Section: 1.0324110984802246
End: 1.036353588104248