"Die Walkure: Act I Scene 2: Ich weiss ein wildes Geschlecht (Hunding)" by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler was released on July 3, 2012. Die Walkure: Act I Scene 2: Ich weiss ein wildes Geschlecht (Hunding) is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. This song is part of Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950) by Richard Wagner, Wilhelm Furtwängler. The song's track number on the album is #9 out of 259 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Die Walkure: Act I Scene 2: Ich weiss ein wildes Geschlecht (Hunding) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walkure: Act I Scene 2: Ich weiss ein wildes Geschlecht (Hunding) by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Walkure: Act I Scene 2: Ich weiss ein wildes Geschlecht (Hunding) being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Das Rheingold / Erste Szene: "Der Welt Erbe Gewänn' ich zu eigen durch dich?" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 2 | 5B | 76 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) | Richard Wagner, Wiener Philharmoniker, Rudolf Kempe | A Major | 0 | 11B | 68 BPM | ||
Also Sprach Zarathustra Op.30: Das Tanzlied (The Dance-Song) | Richard Strauss, London Philharmonic Orchestra, Klaus Tennstedt | C Major | 1 | 8B | 79 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Mozart: Don Giovanni, K. 527: Overture | Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players | D Major | 1 | 10B | 132 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Carmina Burana / I. Primo vere: "Omnia Sol temperat" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 0 | 6B | 76 BPM |
Section: 0.8056197166442871
End: 0.810927152633667