"Carmina Burana / I. Primo vere: "Omnia Sol temperat"" by Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum was released on January 1, 1988. The duration of Carmina Burana / I. Primo vere: "Omnia Sol temperat" is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Carmina Burana / I. Primo vere: "Omnia Sol temperat"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #4. Carmina Burana / I. Primo vere: "Omnia Sol temperat" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / I. Primo vere: "Omnia Sol temperat" by Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dichterliebe, Op. 48: VI. Im Rhein, im heiligen Strome | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F Major | 0 | 7B | 57 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, Thomas Hampson, Ferruccio Furlanetto, Anthony Laciura, Renato Capecchi, Dawn Upshaw, Heidi Grant Murphy, Anne Sofie von Otter, Tatiana Troyanos, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 114 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie | Ludwig van Beethoven, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Elizabeth Wilcock, Alastair Ross, The Monteverdi Choir | D Major | 1 | 10B | 79 BPM | ||
Petite messe solennelle: Petite messe solennelle: Sanctus | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 1 | 8B | 81 BPM | ||
Der Zigeunerbaron, Act 3: Entr'acte | Johann Strauss II, Dietrich Fischer-Dieskau, Willi Boskovsky, Muenchner Rundfunkorchester, Munich Radio Orchestra | C Major | 1 | 8B | 87 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Orff: Carmina Burana, Pt. 1, Primo vere: Ecce gratum | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | B♭ Major | 3 | 6B | 75 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
Eugene Onegin, Op.24, TH.5 / Act 1: Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Sarah Walker, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | B♭ Major | 2 | 6B | 89 BPM | ||
Mass In C, Op. 86: 1. Kyrie | Ludwig van Beethoven, Felicity Palmer, Helen Watts, Robert Tear, Christopher Keyte, Academy of St. Martin in the Fields, Stephen Cleobury, George Guest | E Major | 1 | 12B | 112 BPM |
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