"Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam)" by Richard Wagner, Wiener Philharmoniker, Rudolf Kempe was released on 1964. Since Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Lohengrin by Richard Wagner, Rudolf Kempe. The song's track number on the album is #1 out of 55 tracks. Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) by Richard Wagner, Wiener Philharmoniker, Rudolf Kempe has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight | Benjamin Britten, André Previn, London Symphony Orchestra | G Minor | 1 | 6A | 117 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Minor | 1 | 3A | 114 BPM | ||
Orpheus-Quadrille, Op. 236 | Johann Strauss II, Georges Prêtre, Wiener Philharmoniker | G Major | 6 | 9B | 109 BPM | ||
Für die ganze Welt, Walzer | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 85 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Trauermarsch | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | F Minor | 1 | 4A | 128 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM |
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