"Haydn: Symphony No. 101 in D Major, Hob. I:101 "The Clock": II. Andante" by Joseph Haydn, Otto Klemperer, Philharmonia Orchestra was released on September 3, 2023. Since Haydn: Symphony No. 101 in D Major, Hob. I:101 "The Clock": II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Otto Klemperer, New Philharmonia Orchestra, Philharmonia Orchestra's "Haydn: Symphonies Nos. 98, 101 "The Clock" & 104 "London"" album is number 6 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Haydn: Symphony No. 101 in D Major, Hob. I:101 "The Clock": II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn: Symphony No. 101 in D Major, Hob. I:101 "The Clock": II. Andante by Joseph Haydn, Otto Klemperer, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
Piano Concerto No. 1 in D Major, Op. 17: 2. Andante sostenuto quasi adagio | Camille Saint-Saëns, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 0 | 6A | 99 BPM | ||
L'Engageante: 13ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 75 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 5 | 7A | 103 BPM | ||
Proserpine: Overture in D Major: III. Allegro | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 5 | 10B | 99 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): II. Preghiera (Larghetto) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | A Major | 0 | 11B | 65 BPM | ||
Keyboard Sonata No. 48 in C Minor | Antonio Soler, Mateusz Borowiak | C Minor | 4 | 5A | 145 BPM | ||
Symphony No. 85 in B-Flat Major, Hob.I:85, "La reine" (The Queen): II. Romanza | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | E♭ Major | 0 | 5B | 116 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM |
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