Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth's 'Symphony No. 85 in B-Flat Major, Hob.I:85, "La reine" (The Queen): II. Romanza' came out on December 12, 1990. With this song being about 5 minutes long, at 4:47, "Symphony No. 85 in B-Flat Major, Hob.I:85, "La reine" (The Queen): II. Romanza" by Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth's "Haydn: Symphonies, Vol. 5 (Nos. 85, 92, 103)" album is number 2 out of 12. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Symphony No. 85 in B-Flat Major, Hob.I:85, "La reine" (The Queen): II. Romanza is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 85 in B-Flat Major, Hob.I:85, "La reine" (The Queen): II. Romanza by Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, David Zinman | E Minor | 1 | 9A | 88 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Concerto For 4 Violins In E Minor, Op. 3, No. 4, RV 550: I. Andante | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Divertimento for 2 Flutes and Cello (Bassoon) in C Major, Hob. IV:1 "London Trio No. 1": I. Allegro moderato | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal, Wolfgang Schultz, Gilbert Audin | C Major | 1 | 8B | 139 BPM | ||
Keyboard Suite No. 3 (Set I) in D Minor, HWV 428: VI. Presto | George Frideric Handel, Philip Edward Fisher | D Minor | 2 | 7A | 130 BPM | ||
Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio | Nicolaus Esterhazy Sinfonia | C Major | 1 | 8B | 98 BPM | ||
Symphony No. 98 in B-Flat Major, Hob.I:98: II. Adagio | Joseph Haydn, Nicolaus Esterhazy Sinfonia, Béla Drahos | E Major | 1 | 12B | 131 BPM |
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