"Götterdämmerung / Prologue: Siegfrieds Rheinfahrt - Excerpt" by Richard Wagner, Staatskapelle Dresden, Peter Schneider was released on May 8, 2020. With this song being about 5 minutes long, at 5:17, "Götterdämmerung / Prologue: Siegfrieds Rheinfahrt - Excerpt" by Richard Wagner, Staatskapelle Dresden, Peter Schneider is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Essentiel by Richard Wagner. The song's track number on the album is #18 out of 25 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Götterdämmerung / Prologue: Siegfrieds Rheinfahrt - Excerpt is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung / Prologue: Siegfrieds Rheinfahrt - Excerpt by Richard Wagner, Staatskapelle Dresden, Peter Schneider has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Götterdämmerung / Prologue: Siegfrieds Rheinfahrt - Excerpt being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor, Op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 124 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
Siegfried, WWV 86C, Act I: Prelude | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 3 | 8B | 65 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 80 BPM | ||
Messa da Requiem: 2b. Tuba mirum - 2c. Mors Stupebit | Giuseppe Verdi, Martti Talvela, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | D Major | 2 | 10B | 130 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 97 BPM |
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