"Siegfried, WWV 86C, Act I: Prelude" by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden was released on November 10, 2017. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Siegfried, WWV 86C by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden, Matthias Goerne, Deborah Humble. The song's track number on the album is #1 out of 51 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Siegfried, WWV 86C, Act I: Prelude is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Siegfried, WWV 86C, Act I: Prelude by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Siegfried, WWV 86C, Act I: Prelude being at 65 BPM, the half-time would be 32 BPM with a double-time of 130 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B / Act III: "Nicht streb, o Maid, den Mut mir zu stören" | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 92 BPM | ||
Coriolan, Op. 62: Overture | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 76 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio: Overture | Ludwig van Beethoven, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 4. Langsam - Lebhaft - Schneller - Presto | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 107 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of the Rival Tribes | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 4 | 5A | 82 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 18. Stille vor dem Sturm | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 133 BPM | ||
Ohlas pisni (Echo of Songs), B. 152 (arr. of Cypresses, B. 11 for string quartet): There Stands an Ancient Rock | Antonín Dvořák, Vlach Quartet Prague | A♭ Major | 1 | 4B | 60 BPM | ||
Symphony No. 5 in C minor, Op. 67: 1. Allegro con brio | Ludwig van Beethoven, Gewandhausorchester, Riccardo Chailly | C Minor | 3 | 5A | 105 BPM | ||
Die Meistersinger von Nürnberg, Act 3: Prelude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | C Major | 4 | 8B | 49 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM |
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