Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Levon Chilingirian, Csaba Erdélyi's 'Symphonie Concertante, K. 364, 1st Movement' came out on January 1, 1984. Symphonie Concertante, K. 364, 1st Movement appears to be safe for all ages as it is not explicit. The song is number 9 out of 30 in Amadeus (The Complete Soundtrack Recording) by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields. Based on our statistics, Symphonie Concertante, K. 364, 1st Movement's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie Concertante, K. 364, 1st Movement by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Levon Chilingirian, Csaba Erdélyi is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in B Flat Major, K.174: 2. Adagio | Wolfgang Amadeus Mozart, Arthur Grumiaux, Arpad Gérecz, Georges Janzer, Max Lesueur, Eva Czako | C Major | 1 | 8B | 140 BPM | ||
String Quintet in E-Flat Major, Op. 97 'The American': I. Allegro | Antonín Dvořák, Krzysztof Chorzelski | E♭ Major | 1 | 5B | 136 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical symphony": IV. Finale - Molto vivace | Sergei Prokofiev, Philippe Jordan, Orchestre de l'Opéra National de Paris | D Major | 1 | 10B | 80 BPM | ||
Symphony No. 78 in C Minor, Hob.I:78 - Edited H.C.Robbins Landon: 1. Vivace | Joseph Haydn, Accademia Bizantina, Ottavio Dantone | C Minor | 2 | 5A | 153 BPM | ||
Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | G Major | 3 | 9B | 99 BPM |
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