Sergei Prokofiev, Philippe Jordan, Orchestre de l'Opéra National de Paris made "Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical symphony": IV. Finale - Molto vivace" available on April 7, 2017. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philippe Jordan's "Mussorgsky: Pictures at an Exhibition - Prokofiev: Symphony No. 1, "Classical"" album is number 19 out of 19. Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical symphony": IV. Finale - Molto vivace is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical symphony": IV. Finale - Molto vivace by Sergei Prokofiev, Philippe Jordan, Orchestre de l'Opéra National de Paris to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No.2 in G Major, Op. 44: I. Allegro billante | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 2 | 10B | 94 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM | ||
Symphony No. 5 in B Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, Thomas Søndergård, Royal Scottish National Orchestra | G Major | 2 | 9B | 81 BPM | ||
Akt I: Vorspiel | Richard Wagner, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Rosamunde, Op. 26, D. 797 (Excerpts): No. 9, Ballet Music. Andantino | Franz Schubert, Swedish Chamber Orchestra, Thomas Dausgaard | G Major | 0 | 9B | 86 BPM | ||
Grand Duo Concertant, Op. 48, J. 204: III. Rondo. Allegro | Carl Maria von Weber, Andreas Ottensamer, Yuja Wang | B♭ Major | 0 | 6B | 78 BPM | ||
10 Preludes, Op. 23: No. 5. Alla marcia in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 2 | 6A | 106 BPM | ||
Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Alexander Nevsky: VII. Alexander's Entry into Pskov | Sergei Prokofiev, Irina Gelahova, Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio | Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | D♭ Major | 1 | 3B | 63 BPM |
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