"Piano Concerto No.2 in G Major, Op. 44: I. Allegro billante" by Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson was released on July 30, 2014. Since Piano Concerto No.2 in G Major, Op. 44: I. Allegro billante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Tchaikovsky: Piano Concerto No.2 in G Major, Op. 44 (original version)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Australia. In terms of popularity, Piano Concerto No.2 in G Major, Op. 44: I. Allegro billante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No.2 in G Major, Op. 44: I. Allegro billante by Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Nocturne No.1 in E Flat Minor, Op.33, No.1 | Gabriel Fauré, Pascal Rogé | F♯ Major | 2 | 2B | 129 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: Tempo primo (H) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 90 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Piano Concerto in A minor, Op. 16: 2. Adagio - attacca | Edvard Grieg, Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 135 BPM | ||
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, London Symphony Orchestra, Valery Gergiev | E Major | 0 | 12B | 83 BPM | ||
Das Wohltemperierte Klavier: Book 1, BWV 846-869: Prelude in D sharp minor/E flat minor BWV 853 | Johann Sebastian Bach, Vladimir Ashkenazy | A♭ Minor | 0 | 1A | 75 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto | Franz Schubert, Vladimir Ashkenazy, Pinchas Zukerman, Lynn Harrell | C Major | 0 | 8B | 83 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM |
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