"Piano Quintet, Op. 18: I. Moderato con moto" by Mieczysław Weinberg, Muza Rubackyte, Mettis String Quartet was released on June 15, 2020. Since Piano Quintet, Op. 18: I. Moderato con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Shostakovich - Weinberg: Dramatic Russian Legacy". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Piano Quintet, Op. 18: I. Moderato con moto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Quintet, Op. 18: I. Moderato con moto by Mieczysław Weinberg, Muza Rubackyte, Mettis String Quartet having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Pulcinella (Concert Suite), K34: IV. Tarantella (Transcr. for Solo Violin and Chamber Orchestra) | Igor Stravinsky, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (Transcr. Dähler & Giger) | Johann Sebastian Bach, Paul Giger, Marie-Louise Dähler | E Minor | 0 | 9A | 100 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Carnival of the Animals, R. 125: VII. Aquarium (Narrated by Jimmy Fallon) | Camille Saint-Saëns, Lang Lang, Gina Alice, Gewandhausorchester, Andris Nelsons, Jimmy Fallon | C Major | 4 | 8B | 103 BPM | ||
Oberek No. 1 - Musical Moments | Grażyna Bacewicz, Bomsori, Julia Okruashvili | D Major | 5 | 10B | 140 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 62 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM |
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