"Pulcinella (Concert Suite), K34: IV. Tarantella (Transcr. for Solo Violin and Chamber Orchestra)" by Igor Stravinsky, Daniel Hope, Zürcher Kammerorchester was released on February 2, 2024. The duration of Pulcinella (Concert Suite), K34: IV. Tarantella (Transcr. for Solo Violin and Chamber Orchestra) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Pulcinella (Concert Suite), K34: IV. Tarantella (Transcr. for Solo Violin and Chamber Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 41 out of 42 in Dance! by Daniel Hope, Zürcher Kammerorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Pulcinella (Concert Suite), K34: IV. Tarantella (Transcr. for Solo Violin and Chamber Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pulcinella (Concert Suite), K34: IV. Tarantella (Transcr. for Solo Violin and Chamber Orchestra) by Igor Stravinsky, Daniel Hope, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
IV. Nicht schnell | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | G Major | 0 | 9B | 103 BPM | ||
Histoire du soldat Suite (The Soldier's Tale Suite): I. The Soldier's March | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | D Major | 2 | 10B | 121 BPM | ||
Trumpet Concerto, Op. 18: III. Rondo. Allegro scherzando | Oskar Böhme, Matthias Höfs, Tarmo Peltokoski, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: III. Scherzino (Allegro – Andantino - Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | F Minor | 0 | 4A | 104 BPM | ||
Mazurka L. 75 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 0 | 11B | 134 BPM | ||
Concert pour piano, violon et quatuor à cordes en Ré Majeur, Op. 21: II. Sicilienne | Ernest Chausson, Gabriel Le Magadure, Frank Braley, Quatuor Agate | F Major | 2 | 7B | 103 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Las tres culturas: 3. Los pasos de Jehova | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 144 BPM | ||
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM |
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