"Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Ah, piangete!" (Coro di Driadi, Apollo)" by Luigi Rossi, Violaine Le Chenadec, Amandine Trenc, Dagmar Saskova, Lucille Richardot, Stephen Collardelle, Ensemble Correspondances, Sébastien Daucé was released on September 3, 2015. Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Ah, piangete!" (Coro di Driadi, Apollo) is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 25 out of 68. On top of that, France appears to be the country where this track was created. In terms of popularity, Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Ah, piangete!" (Coro di Driadi, Apollo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Ah, piangete!" (Coro di Driadi, Apollo) by Luigi Rossi, Violaine Le Chenadec, Amandine Trenc, Dagmar Saskova, Lucille Richardot, Stephen Collardelle, Ensemble Correspondances, Sébastien Daucé to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
Ho vinto, Amor (I) | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
Arie, Op. 8: No. 6, Che si può fare (Arr. for voice and strings by Richard Birchall) | Barbara Strozzi, Héloïse Werner, Max Baillie, Julian Azkoul, Ruth Gibson, Colin Alexander, Marianne Schofield | D Minor | 1 | 7A | 140 BPM | ||
Beatus vir: IV. Peccator videbit | Domenico Zipoli, Florilegium, Bolivian Soloists | E Major | 0 | 12B | 122 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat | Giovanni Battista Pergolesi, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | C Minor | 1 | 5A | 58 BPM | ||
Strike the viol | Henry Purcell, Carlos Mena, Philippe Pierlot, Ricercar Consort | G Major | 1 | 9B | 172 BPM | ||
Litanies de la Vierge, H. 83: VII. Rosa mystica | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Kaori Uemura, Anne Marie Lasla | A♭ Major | 1 | 4B | 181 BPM | ||
Concerto primo in G Major: I. Andante - Allegro | Baldassare Galuppi, Ensemble StilModerno | G Major | 2 | 9B | 122 BPM | ||
Céphale et Procris, Prologue: Chœur. Chantons, chantons sa valeur immortelle | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur | F Minor | 1 | 4A | 75 BPM |
Section: 0.5833334922790527
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