"Beatus vir: IV. Peccator videbit" by Domenico Zipoli, Florilegium, Bolivian Soloists was released on 2007. With Beatus vir: IV. Peccator videbit being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 30 in Bolivian Baroque: Music from the Missions of Chiquitos and Moxos Indians by Florilegium, Bolivian Soloists. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Beatus vir: IV. Peccator videbit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beatus vir: IV. Peccator videbit by Domenico Zipoli, Florilegium, Bolivian Soloists is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Legrenzi / Arr. Pluhar: Con cent’occhi | Giovanni Legrenzi, Christina Pluhar, Bruno de Sá | B Minor | 1 | 10A | 80 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: I. Exaudiat te Dominus in die tribulationis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Les Éléments: II. [Loure I :] La Terre | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 1 | 3B | 113 BPM | ||
Motet "Caîma, Iyaî Jesus": III. Aria, "Acuacîrîca inema" | Anonymous, Florilegium, Henry Villca | F♯ Major | 0 | 2B | 72 BPM | ||
Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae | Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 136 BPM | ||
In hoc mundo: V. Aria, "Tunc lectus organis" | Domenico Zipoli, Florilegium, Henry Villca | F Minor | 1 | 4A | 121 BPM | ||
Stabat Mater in G Minor: III. Quis est homo | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 86 BPM |
Section: 1.0046617984771729
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