"Stabat Mater in G Minor: III. Quis est homo" by Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks was released on January 31, 2014. With Stabat Mater in G Minor: III. Quis est homo being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zelenka: Sanctus et Agnus Dei - Tůma: Stabat Mater. Music from 18th Century Prague by Vaclav Luks, Collegium 1704, Collegium vocale 1704. The song's track number on the album is #3 out of 27 tracks. Based on our data, Czechia was the country where this track was produced or recorded. Stabat Mater in G Minor: III. Quis est homo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stabat Mater in G Minor: III. Quis est homo by Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Stabat Mater in G Minor: III. Quis est homo being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Languet anima mea BWV deest 1006: I. Recitativo: Languet anima mea | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Stabat Mater in F Minor, RV 621: No. 9., Amen | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Stabat Mater in F Minor, RV 621: No. 2., Cuius animam gementem | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | B Minor | 1 | 10A | 113 BPM | ||
Te Deum "de Lyon": XIV. Et rege eos | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: Nach dir, Herr, verlanget mich, BWV 150: Coro | Johann Sebastian Bach, Philippe Pierlot, Stephan MacLeod, Ricercar Consort, Katharine Fuge, Carlos Mena, Jan Kobow | G Minor | 0 | 6A | 66 BPM | ||
Dies iræ, S. 31: Mors stupebit et natura | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | F Minor | 1 | 4A | 98 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 2. Hosanna in excelsis | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | F♯ Minor | 1 | 11A | 77 BPM | ||
Sonata for 2 Violins and Basso continuo in F Major: III. Andante e sempre piano | Johann Georg Orschler, Collegium 1704 | D♭ Minor | 0 | 12A | 170 BPM | ||
Elevatio O miraculum! | Sébastien de Brossard, Sébastien Daucé, Ensemble Corrrespondances | C Major | 2 | 8B | 94 BPM |
Section: 0.6185860633850098
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