Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri made "Stabat Mater in F Minor, RV 621: No. 9., Amen" available on March 8, 2024. With Stabat Mater in F Minor, RV 621: No. 9., Amen being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Scholl, Alessandro Tampieri, Accademia Bizantina's "Invocazioni Mariane" album is number 24 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, Stabat Mater in F Minor, RV 621: No. 9., Amen is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Stabat Mater in F Minor, RV 621: No. 9., Amen by Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Herr verstößet nicht ewiglich, TWV 1:288: VIII. Was Gott tut, das ist wohlgetan | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Concerto No. 3 In G Major RV 310: I. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 3 | 3B | 116 BPM | ||
Juditha Triumphans, RV 644: Armatae face | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | D♭ Major | 4 | 3B | 63 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | ||
Concerto No. 5 In A Major RV 519: I. Allegro (Vivaldi) | Accademia Bizantina | A♭ Major | 2 | 4B | 131 BPM | ||
Stabat Mater in F Minor, RV 621: No. 5., Quis non posset contristari | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Sinfonia Nо. 3 in fa minore (La morte d'Abel): II. Larghetto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Gloria | Antonio Vivaldi, Oulunsalon seurakunnan nuortenkuoro 1978-2015 | C Major | 3 | 8B | 76 BPM | ||
Bassoon Concerto in E Minor, RV 484: III. Allegro | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | A Minor | 0 | 8A | 100 BPM | ||
Messe in B Minor, BWV 232: No. 3, Kyrie eleison | Johann Sebastian Bach, Les Musiciens du Louvre, Marc Minkowski, Blandine Staskiewicz, Joanne Lunn, Julia Lezhneva, Lucy Crowe, Nathalie Stutzmann, Terry Wey, Markus Brutscher, Colin Balzer, Christian Immler, Luca Tittoto | F Minor | 1 | 4A | 87 BPM |
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