"Der Herr verstößet nicht ewiglich, TWV 1:288: VIII. Was Gott tut, das ist wohlgetan" by Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch was released on January 14, 2022. With Der Herr verstößet nicht ewiglich, TWV 1:288: VIII. Was Gott tut, das ist wohlgetan being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 64 in Französischer Jahrgang, Vol. 1 by Georg Philipp Telemann, Neumeyer Consort, Felix Koch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Der Herr verstößet nicht ewiglich, TWV 1:288: VIII. Was Gott tut, das ist wohlgetan is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Herr verstößet nicht ewiglich, TWV 1:288: VIII. Was Gott tut, das ist wohlgetan by Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM | ||
Wer ist der, so von Edom kömmt BWV 1167: I. No. 39, Der Gerechte kömmt um, BWV 1149 | Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM | ||
Messiah, HWV 56: Part 2: And with His stripes we are healed (Chorus) | Nikolaus Harnoncourt | E Minor | 2 | 9A | 87 BPM | ||
I. Nun Danket Alle Gott BWV 192, (3) Coro: Lob, Ehr Und Preis Sei Gott | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Peter Frankenberg, Johann Sebastian Bach, Marjon Strijk, Kristin Linde, Doretthe Janssens, Marion Moonen | D♭ Major | 3 | 3B | 53 BPM | ||
Spatzenmesse in C-Dur, KV. 220 'Missa - Credo' | Chor, Solisten & Orchester von St. Augustin, Manfred Equiluz, Ingrid Hofer, Michael Gailit, Brigitta Karwautz, Wolfgang Bankl | C Major | 1 | 8B | 94 BPM | ||
Missa Divi Xaverii, ZWV 12: Qui sedes | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F Minor | 1 | 4A | 173 BPM | ||
Bach, JS: Mass in B Minor, BWV 232: Cum Sancto Spiritu | Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien | B♭ Minor | 1 | 3A | 81 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: IX. The airy Violin | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze | D♭ Major | 1 | 3B | 73 BPM | ||
Der Himmel lacht! Die Erde jubilieret, BWV 31: So fahr ich hin zu Jesu Christ (Chorus) | Johann Sebastian Bach, Monika Frimmer, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 1 | 3B | 65 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto Fürchte dich nicht | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM |
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