Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri made "Stabat Mater in F Minor, RV 621: No. 5., Quis non posset contristari" available on March 8, 2024. The duration of Stabat Mater in F Minor, RV 621: No. 5., Quis non posset contristari is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Stabat Mater in F Minor, RV 621: No. 5., Quis non posset contristari's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andreas Scholl, Alessandro Tampieri, Accademia Bizantina's "Invocazioni Mariane" album is number 20 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, Stabat Mater in F Minor, RV 621: No. 5., Quis non posset contristari is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Stabat Mater in F Minor, RV 621: No. 5., Quis non posset contristari by Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux | Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Vivaldi: Giustino, RV 717, Act 1 Scene 1: No. 1a, Aria, "Viva Augusto eterno impero" (Arianna, Chorus) | Antonio Vivaldi, Marina Comparato, Dominique Labelle, Francesca Provvisionato, Geraldine McGreevy, Leonardo de Lisi, Laura Cherici, Il Complesso Barocco, Alan Curtis | C Major | 1 | 8B | 90 BPM | ||
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances | F♯ Minor | 1 | 11A | 176 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Christ lag in Todes Banden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Te Deum, S.32: I. Te Deum laudamus | Michel Richard Delalande, Le Poème Harmonique, Vincent Dumestre, Emmanuelle De Negri, Dagmar Saskova, Sean Clayton | C Major | 3 | 8B | 93 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Concerto grosso in E minor , Op. 3/4 , RV 550: 3. Adagio | Antonio Vivaldi, Michel Schwalbé, Thomas Brandis, Leon Spierer, Hans-Joachim Westphal, Eberhard Finke, Horst Gobel, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 83 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM |
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