David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson's 'Le dernier jour d'un condamné / Acte II: Oh! Est-il bien vrai que c'est moi qui vais mourir' had a release date set for January 1, 2008. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Le dernier jour d'un condamné / Acte II: Oh! Est-il bien vrai que c'est moi qui vais mourir's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 7 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte II: Oh! Est-il bien vrai que c'est moi qui vais mourir is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le dernier jour d'un condamné / Acte II: Oh! Est-il bien vrai que c'est moi qui vais mourir by David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luisa Fernanda, Acto i: Romanza de Javier | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | E♭ Minor | 3 | 2A | 97 BPM | ||
Les Pecheurs de Perles) (new edition of original 1863 version: part orch. A. Hammond), ACTE I: Je crois entendre encore (Nadir) | Georges Bizet, John Aler, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | A Minor | 0 | 8A | 174 BPM | ||
Artaserse: Son qual nave | Riccardo Broschi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 4 | 3B | 135 BPM | ||
The Merry Widow / Act 2: Duet: Love unspoken, love unbroken | Franz Lehár, Werner Krenn, Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 86 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
La prière | Frida Boccara, Mastreechter Staar | B♭ Minor | 2 | 3A | 137 BPM | ||
Le dernier jour d'un condamné / Acte I: Monsieur, je vous attends | David Alagna, Roberto Alagna, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Daniel Bargier, Orchestre national d'île-de-France, Michel Plasson | G Minor | 3 | 6A | 98 BPM | ||
Le dernier jour d'un condamné / Acte I: Un moyen de fuir, mon Dieu! Un moyen! | David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson | G Major | 2 | 9B | 84 BPM | ||
Aim High | Geraldine Calamita | F Major | 5 | 7B | 177 BPM | ||
Le dernier jour d'un condamné / Acte I: Interlude | David Alagna, Orchestre national d'île-de-France, Michel Plasson | D Minor | 0 | 7A | 70 BPM |