Le dernier jour d'un condamné / Acte I: Interlude
David Alagna, Orchestre national d'île-de-France, Michel Plasson
Le Dernier Jour D'Un Condamné
1:36 January 1, 2008
BPM
70
Key
D Minor
Camelot
7A

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Le dernier jour d'un condamné / Acte I: Interlude - David Alagna, Orchestre national d'île-de-France, Michel Plasson Information

Acousticness
82%
Danceability
48%
Energy
1%
Instrumentalness
0%
Liveness
38%
Loudness
29%
Speechiness
18%
Valence
37%
Popularity
Loudness
-42.852 dB

Summary

David Alagna, Orchestre national d'île-de-France, Michel Plasson's 'Le dernier jour d'un condamné / Acte I: Interlude' had a release date set for January 1, 2008. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 5 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte I: Interlude is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Le dernier jour d'un condamné / Acte I: Interlude BPM

We consider the tempo marking of Le dernier jour d'un condamné / Acte I: Interlude by David Alagna, Orchestre national d'île-de-France, Michel Plasson to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Le dernier jour d'un condamné / Acte I: Interlude Key

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

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ISRC
FRUM70702157
Label
L-M Records/RCA Records