"Le dernier jour d'un condamné / Acte I: Un moyen de fuir, mon Dieu! Un moyen!" by David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson had its release date on January 1, 2008. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 24 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte I: Un moyen de fuir, mon Dieu! Un moyen! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le dernier jour d'un condamné / Acte I: Un moyen de fuir, mon Dieu! Un moyen! by David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alluki | Anonymous, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | F Major | 1 | 7B | 174 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Dans Mes Reves (Carmen Interlude) | OperaBabes | C Minor | 3 | 5A | 74 BPM | ||
Comme une larme | Wolfgang Amadeus Mozart, Mireille Mathieu | E Major | 2 | 12B | 126 BPM | ||
Le dernier jour d'un condamné / Acte I: On attend pour ce soir un nouveau condamné | David Alagna, Indra Thomas, Richard Rittelmann, Orchestre national d'île-de-France, Michel Plasson | F Major | 2 | 7B | 130 BPM | ||
Roméo et Juliette, 'Romeo and Juliet' (1997 Digital Remaster): Je veux vivre (Waltz) | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | F Major | 2 | 7B | 81 BPM | ||
Le nid | Mathieu Lamboley, Orchestre national d'île-de-France | G Major | 1 | 9B | 168 BPM | ||
Dicitencello vuie (orch. L. Logi) | Rodolfo Falvo, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | B♭ Minor | 1 | 3A | 137 BPM | ||
Le dernier jour d'un condamné / Acte I: La mort! La mort! | David Alagna, Indra Thomas, Jean-Philippe Lafont, Richard Rittelmann, Orchestre national d'île-de-France, Michel Plasson | D Minor | 0 | 7A | 70 BPM | ||
Misa Criolla: 5. Agnus Dei (estilo pampeano) - Live | Ariel Ramírez, Agatino Scuderi, Grande Coro Lirico Siciliano, Dave Monaco, Gianluca Failla, Francesco Costa | A Minor | 4 | 8A | 107 BPM |