"The Merry Widow / Act 2: Duet: Love unspoken, love unbroken" by Franz Lehár, Werner Krenn, Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge was released on January 1, 1978. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Lehár, Joan Sutherland, Valerie Masterson, Regina Resnik, Werner Krenn, John Brecknock, National Philharmonic Orchestra, Richard Bonynge's "Léhar - The Merry Widow - Highlights" album is number 14 out of 14. The Merry Widow / Act 2: Duet: Love unspoken, love unbroken is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Merry Widow / Act 2: Duet: Love unspoken, love unbroken by Franz Lehár, Werner Krenn, Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Scotto / Arr Schifrin: Around the World Part 4: Sous les ponts de Paris | Vincent Scotto, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | C Minor | 2 | 5A | 85 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Die lustige Witwe / Act II: "Nein, nein, nein" - "Mein Freund! Vernunft!" - "Wie eine Rosenknospe" | Franz Lehár, Barbara Bonney, Rainer Trost, Wiener Philharmoniker, John Eliot Gardiner | F Major | 1 | 7B | 92 BPM | ||
Dein ist mein ganzes Herz | Rudolf Schock | D♭ Major | 3 | 3B | 46 BPM | ||
"Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM | ||
Alceste (1997 Digital Remaster): Divinités du Styx | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | F Major | 1 | 7B | 86 BPM | ||
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM |
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