| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahler: Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | D Minor | 1 | 7A | 70 BPM | ||
| Lohengrin, Act II Scene 2: Euch Lüften, die mein Klagen | Richard Wagner, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Ferdinand Leitner | B♭ Major | 1 | 6B | 67 BPM | ||
| Nabucco / Act 3: "Va, pensiero, sull'ali dorate" | Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | D♭ Major | 1 | 3B | 77 BPM | ||
| Lift up Your Heads | Harmonious Chorale Ghana | C Major | 2 | 8B | 107 BPM | ||
| Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Orchestre de Paris | E♭ Major | 0 | 5B | 66 BPM | ||
| Wie der Hirsch schreit, Op. 42, MWV A15: Aria. Meine Seele durstet nach Gott (Soprano) | Felix Mendelssohn, Sibylla Rubens, Scot Weir, Christoph Genz, Matthias Goerne, Thomas Mehnert, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Minor | 1 | 7A | 107 BPM | ||
| Strauss, R: Der Rosenkavalier, Op. 59, Act III: "Marie Theres'! Hab' mir's gelobt" (Octavian, Marschallin, Sophie) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Philharmonia Orchestra | D♭ Major | 2 | 3B | 82 BPM | ||
| Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca | D Major | 2 | 10B | 132 BPM | ||
| Die Zauberflöte, K. 620, Act I: No. 3, Dies Bildnis ist bezaubernd schön | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 90 BPM | ||
| Der Mond ist aufgegangen | WDR Rundfunkorchester Köln, Gesangsquartett Four For Four | G Major | 2 | 9B | 82 BPM | ||
| Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Orchestre de Paris, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus | E♭ Major | 0 | 5B | 70 BPM | ||
| The Magic Flute, K. 620: Act II, No. 20. Aria: "Ein Mädchen oder Weibchen wünscht Papageno sich" | Rundfunkorchester des Südwestfunks Baden-Baden | F Major | 1 | 7B | 137 BPM | ||
| Behold, and See If There Be Any Sorrow | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Rolando Villazón | A♭ Major | 2 | 4B | 86 BPM | ||
| Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | B♭ Major | 1 | 6B | 76 BPM | ||
| Virgo Virginum | Andreas Scholl, Marco Rosano | E Minor | 1 | 9A | 68 BPM | ||
| Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
| Carmina Burana: Floret Silva | Carl Orff, Michael Tilson Thomas, The Cleveland Orchestra Chorus, The Cleveland Orchestra | G Major | 0 | 9B | 115 BPM | ||
| Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
| Xerxes, Hwv 40, Akte 1: Ombra Mai Fu | Nederlands Blazers Ensemble, Maria Fiselier, Tijl Beckand | E Minor | 0 | 9A | 136 BPM | ||
| Son io, mio Carlo - Per me giunto e il di supremo - O Carlo, ascolta | Giuseppe Verdi, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | A♭ Major | 0 | 4B | 81 BPM | ||
| Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht - 2023 Remastered Version | Gustav Mahler, Lorin Maazel, Eva Marton, Jessye Norman, Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor | D♭ Major | 0 | 3B | 89 BPM | ||
| Ave Maria, D. 839 | Franz Schubert, Jessye Norman, Ambrosian Singers, Christopher Bowers-Broadbent, Royal Philharmonic Orchestra, Alexander Gibson | A♭ Major | 0 | 4B | 178 BPM | ||
| Lohengrin: Treulich gefuhrt ziehet dahin | Richard Wagner, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 81 BPM | ||
| Faust, CG 4, Faust, Act I: Cavatina. Avant de quitter ces lieux | Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 101 BPM | ||
| Orlando Furioso, RV 728, Act I, Scene 3: Costanza tu m'insegni, e vuoi ch'oi speri | Antonio Vivaldi, Lorenzo Regazzo, Ensemble Matheus, Vivaldi Edition, Jean-Christophe Spinosi | A Major | 1 | 11B | 119 BPM |
Тем, кто вдали от милой is a melancholic, low-energy track by Осип Козловский, Константин Плужников, Камерный ансамбль под управлением Льва Болдырева, Лев Болдырев, Владимир Федотов, Генрик Чтиян, Лия Мелик-Мурадян, Зенон Залицайло, Владимир Литвинов, Виктор Алексеев from Антология русской песни и романса XVIII-XX веков: Вокальная музыка XVIII века, Часть 2, released April 15, 2019. It runs 3:35 at 94 BPM (188 BPM double-time) in F Minor (Camelot 4A).
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