"The Magic Flute, K. 620: Act II, No. 17. Aria: "Ach ich fühl's, es ist verschwunden"" by Rundfunkorchester des Südwestfunks Baden-Baden was released on January 2, 2019. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wolfgang Amedeus Mozart: Arias and Opera Scenes by Rundfunkorchester des Südwestfunks Baden-Baden. The song's track number on the album is #5 out of 16 tracks. The popularity of The Magic Flute, K. 620: Act II, No. 17. Aria: "Ach ich fühl's, es ist verschwunden" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Magic Flute, K. 620: Act II, No. 17. Aria: "Ach ich fühl's, es ist verschwunden" by Rundfunkorchester des Südwestfunks Baden-Baden has a tempo of 182 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With The Magic Flute, K. 620: Act II, No. 17. Aria: "Ach ich fühl's, es ist verschwunden" being at 182 BPM, the half-time would be 91 BPM with a double-time of 364 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
L'elisir d'amore, Act II: "Una furtiva lagrima" | Gaetano Donizetti, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | G Major | 6 | 9B | 80 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Ruthild Engert-Ely, Rosemarie Lang, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser! | Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid | F♯ Major | 2 | 2B | 112 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
4 Lieder, Op. 27, TrV 170: No. 4, Morgen | Richard Strauss, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | E Major | 0 | 12B | 154 BPM | ||
Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Concentus Musicus Wien | D♭ Major | 4 | 3B | 139 BPM |
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