"Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser!" by Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid was released on February 5, 2007. The duration of Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser! is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid's "Gitano" album is number 1 out of 15. In terms of popularity, Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser! by Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Taberna del Puerto, Act III, Scene 4: ¡No Te Acerques! (Juan de Eguía, Coro) | Pablo Sorozábal, Orquesta Sinfónica de Galicia, Victor Pablo Pérez, Juan Pons, Orfeon Donostiarra, José Antonio Saenz | B♭ Minor | 2 | 3A | 107 BPM | ||
Comprendo | Daniel Catán, Rolando Villazón, Juan Manuel González, César Nigro | F Major | 2 | 7B | 68 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elena Obraztsova, Plácido Domingo, Orchestre de Paris, Daniel Barenboim | D♭ Major | 2 | 3B | 88 BPM | ||
Turandot / Act 1: "Non piangere, Liu" | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan | E♭ Minor | 2 | 2A | 65 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Bizet: Carmen: Je dis que rien ne m'epouvante - Act Three | Georges Bizet, Kiri Te Kanawa, José van Dam, Plácido Domingo | G Minor | 2 | 6A | 72 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Rodelinda - Performance Edition by Benjamin Bayl & Paul McCreesh / Act 3: Aria: Pastorello d'un povero armento | George Frideric Handel, Rolando Villazón, Gabrieli, Paul McCreesh | E♭ Minor | 1 | 2A | 75 BPM | ||
Lolita (Arr. Schifrin) - Live | Arturo Buzzi-Peccia, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | D Major | 3 | 10B | 135 BPM |
Section: 0.7438774108886719
End: 0.747483491897583