"Siegfried: Act III Scene 2: Mein Voglein schwebte mir fort! (Siegfried)" by Richard Wagner, Wolfgang Windgassen, Paul Kuen, Hans Hotter, Gustav Neidlinger, Arnold van Mill, Astrid Varnay, Bayreuth Festival Orchestra, Hans Knappertsbusch was released on May 2, 2012. Siegfried: Act III Scene 2: Mein Voglein schwebte mir fort! (Siegfried) appears to be safe for all ages as it is not explicit. The track order of this song in Richard Wagner, Hans Knappertsbusch's "Hans Knappertbusch: Richard Wagner's Der Ring Des Nibelungen" album is number 1 out of 205. On top of that, United States appears to be the country where this track was created. In terms of popularity, Siegfried: Act III Scene 2: Mein Voglein schwebte mir fort! (Siegfried) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Siegfried: Act III Scene 2: Mein Voglein schwebte mir fort! (Siegfried) by Richard Wagner, Wolfgang Windgassen, Paul Kuen, Hans Hotter, Gustav Neidlinger, Arnold van Mill, Astrid Varnay, Bayreuth Festival Orchestra, Hans Knappertsbusch to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Symphony No. 7 in A Major, Op. 92: 3. Presto - Assai meno presto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | D Major | 2 | 10B | 69 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | C Major | 3 | 8B | 81 BPM | ||
Lohengrin, WWV 75 / Act II: "Gesegnet soll sie schreiten" | Richard Wagner, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 80 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM |
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