Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's ' "Mathis Der Maler, 6th Tableau, Scene 2: Und dich hat der Tod veressen (Gelehrter (Capito)/Antonius)" was released on its scheduled release date, April 1, 1995. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 9 out of 61. In terms of popularity, Mathis Der Maler, 6th Tableau, Scene 2: Und dich hat der Tod veressen (Gelehrter (Capito)/Antonius) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Mathis Der Maler, 6th Tableau, Scene 2: Und dich hat der Tod veressen (Gelehrter (Capito)/Antonius) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Prokofiev: Flute Sonata No. 2 in D Major, Op. 94: IV. Allegro con brio | Sergei Prokofiev, Emmanuel Pahud | A Major | 1 | 11B | 86 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation VI - L'istesso tempo | Sergei Rachmaninoff, Cameron Carpenter, Christoph Eschenbach | E Minor | 1 | 9A | 96 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
3. Equidad (de Género), para Dos Violonchelos y Orquesta Michal Korman y Rolando Fernández, Violonchelos - En Vivo | Arturo Márquez, Alondra de la Parra, La Orquesta Imposible | E Minor | 6 | 9A | 157 BPM | ||
Viola Sonata, Op. 25, No. 1: III. Sehr langsam | Paul Hindemith, Nobuko Imai | E Minor | 1 | 9A | 86 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Suite for Viola & Small Orchestra: III. Christmas Dance | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 1 | 8B | 89 BPM |