"Viola Sonata, Op. 25, No. 1: III. Sehr langsam" by Paul Hindemith, Nobuko Imai had its release date on November 30, 1992. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The track order of this song in Paul Hindemith, Nobuko Imai's "Hindemith: Solo Viola Sonatas" album is number 7 out of 15. On top of that, Sweden appears to be the country where this track was created. Viola Sonata, Op. 25, No. 1: III. Sehr langsam is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Viola Sonata, Op. 25, No. 1: III. Sehr langsam by Paul Hindemith, Nobuko Imai to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: String Quartet in E Minor, Op. 121: I. Allegro moderato | Gabriel Fauré, Quatuor Ébène | C Major | 1 | 8B | 108 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
String Quintet In C, D. 956: 4. Allegretto | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | G Major | 1 | 9B | 97 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
String Quartet in F Major: IV. Vif et agite | Maurice Ravel, Cavani Quartet | D Minor | 1 | 7A | 140 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | B♭ Major | 3 | 6B | 89 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | F♯ Minor | 1 | 11A | 95 BPM | ||
Serenade for Wind in D minor, Op.44: 1. Moderato, quasi marcia | Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung | F Major | 1 | 7B | 104 BPM | ||
3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 1. Melancholisch. Langsam | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | D♭ Major | 2 | 3B | 112 BPM |