"The Four Temperaments for Piano and String Orchestra: Var. 1. Melancholisch. Langsam" by Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner had its release date on June 14, 2024. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Paul Hindemith – Alfred Schnittke". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, The Four Temperaments for Piano and String Orchestra: Var. 1. Melancholisch. Langsam is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Four Temperaments for Piano and String Orchestra: Var. 1. Melancholisch. Langsam by Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata, Op.1 | Alban Berg, Pierre-Laurent Aimard | E Minor | 1 | 9A | 74 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: II. Romanza | Wolfgang Amadeus Mozart, Clara Haskil, Orchestre Philharmonique de L'ORTF, Paul Hindemith | B♭ Major | 1 | 6B | 76 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
Première rhapsodie, L. 116: Rêveusement lent | Claude Debussy, Franklin Cohen, Cleveland Orchestra, Pierre Boulez | E♭ Minor | 0 | 2A | 109 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 174 BPM | ||
Adagio and Allegro, Op. 70 (arr. for viola and piano) | Tabea Zimmermann, Robert Schumann, Hartmut Höll | A♭ Major | 1 | 4B | 84 BPM |