"Prokofiev: Flute Sonata No. 2 in D Major, Op. 94: IV. Allegro con brio" by Sergei Prokofiev, Emmanuel Pahud was released on April 1, 2000. Since Prokofiev: Flute Sonata No. 2 in D Major, Op. 94: IV. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Pahud plays Debussy, Ravel & Prokofiev". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Prokofiev: Flute Sonata No. 2 in D Major, Op. 94: IV. Allegro con brio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Flute Sonata No. 2 in D Major, Op. 94: IV. Allegro con brio by Sergei Prokofiev, Emmanuel Pahud having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse-Scherzo, Op. 34, TH 58 for violin and orchestra | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | B Major | 1 | 1B | 185 BPM | ||
Violin Concerto, Op. 14: III. Presto in moto | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | A Minor | 3 | 8A | 108 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | B Major | 1 | 1B | 68 BPM | ||
Poulenc: Clarinet Sonata, FP 184: III. Allegro con fuoco | Francis Poulenc, Sabine Meyer | D♭ Major | 1 | 3B | 161 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 3. Carol - Andantino semplice | Gerald Finzi, Emma Johnson, Malcolm Martineau | B♭ Major | 0 | 6B | 173 BPM | ||
Piano Quintet No. 2, Op. 81, B. 155: IV. Finale. Allegro | Antonín Dvořák, Pavel Haas Quartet, Boris Giltburg | G Major | 0 | 9B | 107 BPM | ||
Ibert: Flute Concerto: III. Allegro scherzando | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester Zürich | D♭ Major | 1 | 3B | 92 BPM | ||
Beethoven: Piano Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto | Ludwig van Beethoven, Stephen Kovacevich | A♭ Major | 2 | 4B | 173 BPM | ||
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
Beethoven: Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto espressivo | Ludwig van Beethoven, Stephen Kovacevich | A♭ Major | 0 | 4B | 128 BPM |
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