"Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato" by George Frideric Handel, Akademie für Alte Musik Berlin was released on February 5, 2016. The duration of Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Akademie für Alte Musik Berlin's "Handel: Water Music" album is number 2 out of 21. On top of that, France appears to be the country where this track was created. Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato by George Frideric Handel, Akademie für Alte Musik Berlin to be Grave (very slow) because the track has a tempo of 35 BPM, a half-time of 18BPM, and a double-time of 70 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
Keyboard Sonata in E-Flat Major, F. 5: II. Largo | Wilhelm Friedemann Bach, Anthony Spiri | C Minor | 0 | 5A | 113 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Concerto for Strings and Continuo in G Major, RV. 151 "Concerto alla Rustica": I. Presto | Antonio Vivaldi, The English Concert, Trevor Pinnock | F Minor | 1 | 4A | 62 BPM | ||
Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto - Trio I - Menuetto - Polonaise - Menuetto - Trio II - Menuetto | Johann Sebastian Bach, Akademie für Alte Musik Berlin | A Major | 2 | 11B | 94 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Ottone: Aria: Bel labro formato per farmi beato | George Frideric Handel, Nicola Francesco Haym, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Minor | 3 | 12A | 82 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM |
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