"6 Ariette: No. 1, Malinconia, ninfa gentile" by Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera was released on January 29, 2016. With 6 Ariette: No. 1, Malinconia, ninfa gentile being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Serenade". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The popularity of 6 Ariette: No. 1, Malinconia, ninfa gentile is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Ariette: No. 1, Malinconia, ninfa gentile by Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
La boheme: Act I: Che gelida manina (Rodolfo) | Giacomo Puccini, Stanislav Beňačka, Carmen Gonzales, Ladislav Hallon, Richard Novak, Luba Orgonasova, Fabio Previati, Boaz Senator, Jiri Sulzenko, Ivan Urbas, Jonathan Welch, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Will Humburg | A Major | 0 | 11B | 128 BPM | ||
Stabat Mater: 12. Quando corpus - Amen | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | B♭ Minor | 1 | 3A | 121 BPM | ||
Casta Diva, a Belloa Me Ritono | Maria Callas | F Major | 1 | 7B | 76 BPM | ||
Martha: M'apparì | Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Stefano Secco | F Major | 3 | 7B | 81 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
L'Olimpiade, RV 725, Act II: Se cerca, se dice | Antonio Vivaldi, Leyla Gencer, Vincenzo Scalera | G Minor | 1 | 6A | 101 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
I puritani, Act III: Credeasi, misera! - Live in Catania, 1968 | Vincenzo Bellini, Luciano Pavarotti, Gabriella Tucci, Coro del Teatro Massimo, Orchestra del Teatro Massimo, Argeo Quadri | A Major | 2 | 11B | 86 BPM | ||
Lorsque vous n'aurez rien à faire | Dawn Upshaw | G Major | 2 | 9B | 87 BPM |
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