"Casta Diva, a Belloa Me Ritono" by Maria Callas was released on 2000. Casta Diva, a Belloa Me Ritono is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 1 out of 7 in Diva by Maria Callas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Casta Diva, a Belloa Me Ritono is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Casta Diva, a Belloa Me Ritono by Maria Callas is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Flower duet from Lakme - Remasterisé en 1987 | Léo Delibes, Orchestre Du Théatre National De L'Opéra Comique - Alain Lombard - Mady Mesple - Danielle Millet, Alain Lombard | B Major | 0 | 1B | 0 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 1 | 9A | 80 BPM | ||
Madama Butterfly - Act II | Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | F♯ Major | 1 | 2B | 81 BPM | ||
Zadok the Priest, Coronation Anthem No. 1, HWV 258 | George Frideric Handel, Choir of New College, Oxford, Robert King, The King's Consort | D♭ Major | 1 | 3B | 92 BPM | ||
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
St. Matthew Passion, BWV 244: No. 39 Arie (Alt): Erbarme dich, mein Gott | Johann Sebastian Bach, Istvan Gati, Peter Koves, Agnes Mester, Jozsef Mukk, Judit Nemeth, Janos Remenyi, Ibolya Verebics, Hungarian Festival Chorus, Hungarian Radio Children's Choir, Hungarian State Symphony Orchestra, Géza Oberfrank | C Minor | 2 | 5A | 65 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro di Torino della RAI, Orchestra di Torino della RAI | A Major | 1 | 11B | 102 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
花から花へ ~歌劇「椿姫」 | Maria Callas | D Major | 1 | 10B | 95 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM |
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